By Mario A. Pei, Frank Gaynor

ISBN-10: 0806536837

ISBN-13: 9780806536835

Editors Mario Pei and Frank Gaynor collect crucial phrases and ideas within the vast Dictionary of Linguistics. With a delicately crafted headword record and many cross-references and obtainable reasons, this dictionary will maintain readers coming again repeatedly. Dictionary of Linguistics is the ideal addition to any reader's reference library.

Mario Pei used to be an American linguist and polyglot who really expert in Latin, Greek, and French. as well as educating at Columbia collage, Pei wrote numerous books on language together with the tale of English and All approximately Language.

In addition to Dictionary of Linguistics, Frank Gaynor additionally wrote the Philosophical Library vintage, Dictionary of Mysticism.

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Sample text

As depicted in “The Tuft of Flowers,” the reader makes hay from the raw materials left by the poet. And as a reminder that the poet appreciates the work of the reader, the poet mingles beauty within the truth much like a group of flowers left to grow among the cut grass. In this way the interaction between poet and reader is shown to be reciprocal, and this claim may be the most startling that emerges from reading these two poems as companion pieces. Even as the poet and reader work individually on their respective tasks, they work together.

After three years, he returned to the United States with two successful published collections: A Boy’s Will (1913) and North of Boston (1914). One aspect of Frost’s poetry that was so compelling to his London admirers, and that continues to stand as one of Frost’s distinctive contributions to poetry, is his effort to craft a natural-sounding poetic language. That is, Frost worked to create language that sounds like natural speech, that uses the diction and vocabulary of spoken language along with all its natural cadences.

For example: According to George Monteiro, “Frost must derive more from mowing than just hay” (Renaissance 116), Frost’s later poetry demonstrates a “turn away from the more purely subjective lyrics and narrative poems of his first five volumes” (“Politics” 225). Similarly, and just as important, if you summarize or paraphrase the particular ideas of your source, you must provide documentation: Robert Frost’s early career consisted primarily of lyric poetry; later, sensing that he needed to make a more direct contribution to public life, Frost began writing more overtly political poems (Monteiro, “Politics” 225).

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